Asaki Kan

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The Dover Prize Funding
If you are successful and receive the £10,000 bursary, please tell us what you would use the funding for. Explain how this award will help move your artistic practice forward and what you hope to achieve. (350 words)
This award will certainly help me go forward. I have so many ideas I want to actually make, however, quite often, I come across with financial problem to achieve. Although I can do small experiments, when it come to a final piece, especially when I want to make in a large scale, I cannot, and a lack of space as well. I have a basic idea I want to develop and create a new work for this opportunity. I am interested in transparency in both concept and materials. I often use heat, magnet, glass, and copper. And I like to use simple chemistry and physics in my work, which is always fun and discover new things. In this project, I want to focus on electromagnetic. I would like to create domino piece that can stand up again once all fell down by using electromagnetic. It will be interactive as participants can push down the domino if they want to. And it will be a large scale. On my previous work, I used cassettes tapes (please see the image attached). When I was installing them, I could see the domino effects, and become more curious to create this work in a large scale. I believe this bursary and support from your organisation will help this happen with my rigid intent, and lead me to the achievement I am aiming for.

I would use the funding for:
• Travel – I am based in London, so the cost of trains.
• Training or workshops – I may need to skill up myself to carry out this project. I am happy to hold workshops.
• Materials or equipment – Definitely I need to get materials and equipment.
• Research trips – I have contacted a technician in Imperial College who may be happy to assist me to develop my
work. But also I would like to research around the roots of Darlington that can connect to my work.
• Development or production costs for final presentation. – Extra costs for delivery, equipment to set up the
work for an exhibition will be necessary.
The Dover Prize Fund has its roots in Darlington. Please explain how you believe your work might enhance and raise the profile of the creative arts in the area. (200 words)
In Darlington, already so many art related things are happening. But my work is unique. I believe I can add a bit of spice, and introduce a new way of experiencing and making art in the local community. I want to remove a pre-concept of ART. You don’t have to be a well-knowledge educated person to enjoy and involve in art. It is for everyone. I want to be a part of, and contribute to this development of art in Darlington.
Eligibility
Please tell us about your practice. Please include any recent exhibitions if applicable. (350 words)
My work is very various and use many kinds of media, from installation work, sculpture, photography, glass, printmaking, video, performance, to poem. I don’t want to limit myself in a certain field because I am interested in materials themselves. If I find something curious, I experiment. So my work involves many experiments from which I discover and learn. It never ends. But as mentioned earlier, I am interested in transparency. So transparent force like magnetic and heat are always in my mind. The latest one was my cassette tapes piece with heat for ‘In the thick of things’ at APT Gallery in Deptford, London. (https://www.aptstudios.org/exhibitions2425inthethickofthings)
Do you have a degree in visual or applied arts at undergraduate and/or post-graduate level? Please provide details. (200 words)
Yes.
– MFA:Sculpture in The Slade School of Fine Art (2004),
– BA (Hons) Fine Art: Sculpture in Wimbledon School of Art (2002) *Now Wimbledon College of Art
Have you previously received professional grants or awards? Please give details. (200 words)
Yes.
– FANAK FUND for Neshat Art Residency (2022)
– Shortlisted, The Threadneedle Prize (2012)
– Shortlisted, The Ashton Hill Awards & The Award for Excellence, The Worshipful Company of Glaziers and Painters
of Glass (2008+2009)
Are you involved in organising self-created professional opportunities, for example, running an artist-led studio or project? (200 words)
Yes.
With other artists, I co-curated exhibitions, and we are currently working on 4th project.
– A Solar Umbrella, Gallery 46, London (2019)
– Inside the Shadow, ARTHOUSE1 Gallery, London (2017)
– Polarities, RRGallery, St. Peter’s Church, Notting Hill, London (2014)

With my colleague, we started ART WEST (formally ART NW10) in 2011, open studios weekend with other local art studios, so that people can visit a few studios on the same day.
Have you been previously commissioned as an artist by a public institution? (200 words)
All shortlisted as below.
– Shortlisted for the 1st round, Landmark Sky Arts (2021)
– Shortlisted, LANDSBY Sculpture Competition with the Royal Society of Sculptors, London (2019)
– Shortlisted, Dare Prize 2018, University of Leeds and Opera North (2018)
– Shortlisted, Chinatown Arts Space Sculpture, Chinatown, London (2008)
Has your artwork been purchased by a public collection? Please provide details. (200 words)
No.
Has your artwork been reviewed or featured in an art journal, magazine, newspaper or online curated platform? Please provide details. (200 words max)
Yes.
‘A Solar Umbrella’ (2019)
• London Live News Interview(https://vimeo.com/412795665)
• https://www.port-magazine.com/art-photography/a-solar-umbrella/
• https://www.timeout.com/london/art/a-solar-umbrella
• https://www.artrabbit.com/events/a-solar-umbrella
• https://beastmag.co.uk/entertainment/a-solar-umbrella-gallery-46/
• https://www.list.co.uk/event/1175553-a-solar-umbrella/
‘Inside the Shadow’ exhibition (2017)
• https://en-gb.facebook.com/pg/shadowexhibition/posts/?ref=page_internal
• https://www.artslant.com/lon/events/show/442537-inside-the-shadow
• https://www.artrabbit.com/events/inside-the-shadow-arthouse1
• http://www.southlondonartmap.com/events/arthouse1/4600
• http://www.thegalleryguide.co.uk/exhibitions/inside-shadow
• https://www.a-n.co.uk/events/inside-the-shadow
• https://oneartyminute.com/en/exposition/inside-shadow.html
• https://tomoutblog.wordpress.com/2017/04/14/soft-targetsinside-the-shadow-at-arthouse1/
• https://www.a-n.co.uk/events/inside-the-shadow-artists-in-conversation
Kooshk Art Residency (2016)
• KARA Art Residency Interview Clip(https://vimeo.com/176159723)
• http://www.harpersbazaararabia.com/art/artists/kooshk-artist-residency-award
• https://www.instagram.com/p/BF6apDwN0D-
•https://www.facebook.com/kooshkresidency/photos/a.514040422114152.1073741856.299912656860264/514040498780811/?type=3&theater
• http://kooshkresidency.com/awards/kooshk-artist-residency-award-kara-2016/
• http://becausetehran.com/magazine/2016/6/kooshk-residency/#!52782
Are you represented by a gallery? Please provide details. (200 words)
No.
Have you taken part in a recognised residency or artist placement scheme? (200 words)
Yes.
– Neshat Art Residency, Iran (2022)
– Shortlisted, Professional Development Residency, London Print Studio (2019)
– 2nd Kooshk Artist Residency Award, Teheran, Iran (2016)
– Artist Residency ‘Land Art Mongolia (LAM 360°), Gobi & Ulaanbaatar, Mongolia (2010)
– Artist Residency in Galerie Wandelbar, Gstaad, Switzerland (2003)
About
Email: wakamechan30@hotmail.com
Phone: 07930886065
Address: 2nd floor, 44 Craven Road,, London, W2 3QA, GB
Local Authority: Westminster

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